Critical Commentary on Holgrave related to the Artist and Alienation
Critical Commentary on Holgrave related to the Artist and Alienation
Holgrave and Phoebe on Pocket Version of (courtesy of Dr. John L. Idol, Jr.)
As these excerpts from criticism indicate, the interpretation of Holgrave's character has varied widely. Some critics see his character as a reflection of aspects of Hawthorne, while others see sources of his traits in others. His role as an artist defines how many readers interpret his actions and evaluate the implications of the novel's ending.
In The Salem World of Nathaniel Hawthorne, Margaret B. Moore notes
the interest in animal magnetism and mesmerism
that existed in Salem in the 1830s and 1840s, a link to Holgrave's practice
of these pseudo-sciences.
Moore also records Hawthorne's reservations about
mesmerism when it came to the treatment of his future wife Sophia's headaches.
In her Portraits of Nathaniel Hawthorne, Rita K. Gollin remarks upon
Hawthorne's interest in portraiture, including daguerreotypes
and photographs, and the role of portraits in The House of the Seven
Gables.
In her essay "Hawthorne's Holgrave: The Failure of the Artist-Hero," Nina
Baym explores Holgrave's role as an artist and
the positive aspects of his character.
Nina Baym also comments on Holgrave's attitude toward
his art as well as his attitude toward his power. She further comments
on the nature of art and the danger an artist poses for the social structure
In her evaluation of the last chapters of the novel, Nina Baym sees the
change in Holgrave's character as a sign of failure,
his acceptance of the status quo in exchange for the security of marriage
and property.
In her lecture, "Work and Money In Hawthorne's Fiction," Claudia Durst Johnson
focuses on the economic factors that influence characters actions and ideas
in The House of the Seven Gables. She sees Holgrave
as a man controlled by his "narrow" economic circumstances and sees his
role as artist as merely one more vocation that he has tried out in an effort
to make his way.