Some aspects of Herman Melville influencing Holgrave's character
Mellow also notes that Hawthorne sympathizes with Holgrave's antipathy toward the past.
It is part of Hawthorne's ambivalence that he sympathizes with Holgrave's
antipathy toward the past. "Shall we never, never get rid of this Past!" the
young man complains. "It lies upon the Present like a giant's dead body!" Holgrave
feels the burden of the past like a personal affliction: A Dead Man sits on
all our judgement-seats; and living judges do but search out and repeat his
decisions. We read in Dead Men's books! We laugh at Dead Men's jokes, and cry
at Dead Men's pathos! We are sick of Dead Men's diseases, physical and moral
. . ." It is one of Hawthorne's more eloquent and bitter indictments of society
and its institutions. Yet Hawthorne suspects, too, that Holgrave may be another
of those blustering young radicals from whom one expects great things 'but of
whom, even after much and careful inquiry, we never happen to hear another word."
Holgrave, in other words, might well turn out to be another of those self-important
bores whom Emerson seemed to collect. Still, Hawthorne is careful to point out
that his young radical has kept his integrity. "Homeless he had been," Hawthorne
says of him kindly, "continually changing his wearabout, and therefore responsible
neither to public opinion nor to individuals-putting off one exterior, and snatching
up another, to be soon shifted for a third-he had never violated the innermost
man, but had carried his conscience along with him." (358-59) (courtesy of Johns
Hopkins University Press